the great gatsby
2017-2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 130x75 cm
and god we loved
2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 130x70 cm
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
AMAAN JAHANGIR
everything i'd do
2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 85x70 cm
one million times
2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 130x90 cm
playground politics
2017-2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 130x75 cm
untitled
2024, Acrylic on Heavyweight Archival Paper, 120x50 cm
all we need is a little magic
2017-2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 130x75 cm
the meaning of life
2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 85x70 cm
the nature of karma
2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 120x70 cm
they can't love you like i can
2024, Acrylic, Oil pastel, Marker and Pencil on Heavyweight Archival Paper, 130x90 cm
Amaan Jahangir (b. 1998, Birmingham, UK) is a UK-based figurative painter and digital artist with a BA in Art from Reading University.
Jahangir explores nuanced communication, drawing inspiration from various contemporary cultural sources, history, and religion. Jahangir incorporates symbolism as deliberately subjective, inviting viewers to actively engage with his work and to project their desires and anxieties. Vibrant colors and dynamic brush strokes convey immediate passion, reflecting life’s chaos while recalling the chronological style of ancient tapestries.
Since 2017, Jahangir has participated in exhibitions at Ikon Gallery(2021), Eastside Projects (2023), among numerous other galleries, and has presented two self-funded pop-up shows – ‘Everything to Get Away’ (2018) and ‘Millennium of a Moment’ (2019). Most recently, he was awarded a fully funded artist studio space and residency at Grand Union, Birmingham, UK. His work has received the online attention of critics such as Jerry Saltz, and world-renowned institutions such as Tate Modern, London.
Jahangir explores nuanced communication, drawing inspiration from various contemporary cultural sources, history, and religion. Jahangir incorporates symbolism as deliberately subjective, inviting viewers to actively engage with his work and to project their desires and anxieties. Vibrant colors and dynamic brush strokes convey immediate passion, reflecting life’s chaos while recalling the chronological style of ancient tapestries.
Since 2017, Jahangir has participated in exhibitions at Ikon Gallery(2021), Eastside Projects (2023), among numerous other galleries, and has presented two self-funded pop-up shows – ‘Everything to Get Away’ (2018) and ‘Millennium of a Moment’ (2019). Most recently, he was awarded a fully funded artist studio space and residency at Grand Union, Birmingham, UK. His work has received the online attention of critics such as Jerry Saltz, and world-renowned institutions such as Tate Modern, London.
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